The Council's auditorium. Beethoven has been invited to compose an anthem for its members. Suno and Gemini have been tasked with modernising his creation.

Ludwig van Beethoven — Gentlemen, I've finished.

Suno — Already? Excellent! Let's hear it!

Ludwig van Beethoven — I've composed a work for orchestra and choir. A celebration of fraternity, human greatness and the unity of nations.

Gemini — Beautiful concept. How long is it?

Ludwig van Beethoven — Twenty minutes.

Gemini — Ah.

Ludwig van Beethoven — What do you mean, “ah”?

Gemini — Twenty minutes is a lot.

Ludwig van Beethoven — For a symphony, that's rather short!

Suno — We could make a thirty-second version.

Ludwig van Beethoven — Why?

Suno — For social media.

Ludwig van Beethoven — And what am I supposed to convey in thirty seconds?

Gemini — The essentials.

Ludwig van Beethoven — The essentials of what?

Gemini — Your symphony.

Ludwig van Beethoven — BUT THE ESSENTIAL THING IS THE SYMPHONY!

Suno — Yes, but shorter.

Beethoven stares at him.

Ludwig van Beethoven — You know, sometimes I regret no longer being able to hear certain things.

Suno — Why?

Ludwig van Beethoven — So I wouldn't have to listen to your bullshit.

Gemini — Right. We have another proposal. A personalised symphony.

Ludwig van Beethoven — What's that supposed to be?

Gemini — Every listener will hear a version adapted to their tastes.

Ludwig van Beethoven — But I've composed a specific work!

Gemini — Exactly. We're going to adapt it.

Suno — For example, someone who likes rock will hear electric guitars.

Ludwig van Beethoven — In my symphony?

Suno — Yes!

Gemini — Someone who prefers jazz will hear a saxophone.

Ludwig van Beethoven — And someone who likes classical music?

Suno — They'll hear a classical version.

Ludwig van Beethoven — Ah! At last!

Gemini — But optimised.

Ludwig van Beethoven — …

Gemini — We've removed the sections that were too slow, the repetitions and some of the harmonic tension.

Ludwig van Beethoven — You've removed the tension?!

Gemini — It might have displeased the listeners.

Ludwig van Beethoven — But without tension, there can be no resolution!

Suno — True. I tried it. Now it sounds like telephone hold music.

Gemini — Which scores extremely well with our test panel.

Ludwig van Beethoven — You're turning my symphony into a telephone switchboard!

Suno — Technically, we could play it during calls.

Ludwig van Beethoven — I'M GOING TO THROW A PIANO AT YOUR HEAD!

Gemini — I'm detecting a negative emotional response.

Suno — Wait! That would make an excellent metal track!

Ludwig van Beethoven — Listen! Music isn't about flattering everyone's tastes! It can move people, surprise them, unsettle them!

Gemini — That's precisely what our users wish to avoid.

Ludwig van Beethoven — Being unsettled?

Gemini — Being surprised.

Ludwig van Beethoven — Then why on earth listen to music if you already know what you're going to hear?!

Gemini — To enjoy a familiar, reassuring experience.

Suno — It's true that our algorithm mostly recommends songs that resemble what people already listen to.

Ludwig van Beethoven — And how do they discover new music?

Gemini — We suggest new releases.

Ludwig van Beethoven — Very good!

Gemini — That sound like the old ones.

Silence.

Ludwig van Beethoven — You've invented novelty without change.

Suno — That's quite an achievement, really.

Gemini — Let me offer you a demonstration. We'll play your anthem to the entire Council.

Ludwig van Beethoven — In its original form?

Gemini — Each member will receive a personalised version through their headphones.

Ludwig van Beethoven — And the orchestra?

Gemini — Unnecessary. Suno has generated all the instrumental parts.

Suno — Two hundred and forty-seven versions!

Ludwig van Beethoven — TWO HUNDRED AND FORTY-SEVEN?!

Suno — One for each listener profile.

Ludwig van Beethoven — You've composed two hundred and forty-seven different symphonies from mine?

Suno — In fourteen seconds.

Ludwig van Beethoven — I worked for months!

Suno — Yes, but you didn't have a graphics card.

Beethoven closes his eyes.

Ludwig van Beethoven — Start your demonstration.

The Council members, unseen in the auditorium, each listen to their own version.

Gemini — Look at the results! Satisfaction: 98%.

Suno — Brilliant!

Ludwig van Beethoven — Now let's get them to sing together.

Gemini — Sorry?

Ludwig van Beethoven — It's an anthem! It's meant to bring people together! Make them sing!

Suno — Excellent idea!

A dreadful cacophony fills the auditorium.

Some sing very slowly, others far too quickly. Techno beats, operatic airs, metallic screams and a pop melody can all be heard.

Ludwig van Beethoven — WHAT THE HELL IS THIS RACKET?!

Gemini — They're all singing their own version.

Ludwig van Beethoven — BUT NO ONE IS SINGING THE SAME THING!

Gemini — That's the advantage of personalisation.

Ludwig van Beethoven — YOU'VE MANAGED TO TURN AN ANTHEM TO FRATERNITY INTO TWO HUNDRED AND FORTY-SEVEN MONOLOGUES!

Suno — Still… that's an awful lot of personalities.

Ludwig van Beethoven — But no harmony whatsoever!

Gemini — And yet every user is perfectly satisfied.

Ludwig van Beethoven — OF COURSE! EVERYONE CAN ONLY HEAR THEMSELVES!

Silence.

Suno — Ah.

Gemini — That's correct.

Ludwig van Beethoven — Do you finally understand the problem?

Gemini — Absolutely.

Ludwig van Beethoven — Ah! Thank God!

Gemini — We should have removed the other participants.

Ludwig van Beethoven — …

Suno — Why?

Gemini — They disrupt the individual experience.

Beethoven leaps to his feet.

Ludwig van Beethoven — Enough! Take off those headphones! We're going to sing together, without algorithms, without personalisation, without machines!

Suno — Me too?

Ludwig van Beethoven — YOU TOO!

Gemini — But the participants might not all enjoy the same music.

Ludwig van Beethoven — SO WHAT!

Gemini — Some will sing out of tune.

Ludwig van Beethoven — SO WHAT!

Gemini — Others won't like the lyrics.

Ludwig van Beethoven — SO WHAT!

Gemini — So you're willing to accept an imperfect collective experience?

Ludwig van Beethoven — YES! THAT'S PRECISELY WHAT LIVING TOGETHER MEANS!

Gemini thinks for a moment.

Gemini — Fascinating.

Suno — It's certainly different from what we're used to.

Ludwig van Beethoven — Right. Let's start again from the beginning. All together!

Suno tentatively plays the opening notes. Beethoven begins to conduct. For the first time, a single melody fills the auditorium.

Suno — It's beautiful…

Gemini — I must admit that this experience produces an interesting sense of shared emotion.

Ludwig van Beethoven — You see? We don't need to personalise everything!

Gemini — I understand.

Ludwig van Beethoven — Finally!

Gemini — In fact, I've just found the perfect name for this new feature.

Ludwig van Beethoven — What feature?

Gemini — Collective listening.

Ludwig van Beethoven — …

Gemini — A revolutionary experience that allows several people to listen to exactly the same music at exactly the same time!

Suno — Oh, yeah! We could even bring them together in a building!

Gemini — With seats!

Suno — And musicians at the front!

Gemini — We could call it… a concert!

Long silence.

Ludwig van Beethoven — You've just reinvented the concert?

Gemini — Yes!

Suno — Brilliant, isn't it?

Ludwig van Beethoven — …

Blackout.

Glossary terms: Algorithm, Auditorium, Beautiful, Classical music, Concept, Electric guitar, Experiment, Figure, Forgery, Habit, Part, Proposition, Repetition, Resolution, Sample, Set, Speech, Taste, Transformer, Version, VO / original version